Big Love came to a low-key conclusion this Sunday on HBO, and I just caught it OnDemand. (
Previous mention on this blog of the show. Comments on other blogs linked below in this post.] As episodes go, it had plenty of major developments. As a season-ender, it definitely falls more on the pause-before-storm rather than dramatic-cliffhanger end of the continuum.
Nobody died. (Although....) The polygamy police didn't serve a warrant or cart away Bill, the patriarch, in handcuffs. There were plenty of tears, plenty of shocked silences.
As with a number of my other favorite dramas, some of the best moments of acting and direction came in slow, dialogue-free scenes, and here, not atypically, as montages, so various actors got to try the "not-talking" bit. Not engaging in dialogue, of course, doesn't mean there's no writing involved. A wordless scene can be saccharine and manipulative; it can be stunning, appalling; it can be heartfelt and even conflicted. Comparing the closing scenes with moments from the West Wing, with the Sopranos, with ER (back in the day), with Six Feet Under (all, I think, somewhat comparable shows, in terms of caliber of actors and direction and writing, as well as, occasionally, tone and impact), I liked, but didn't love, the finale.
What's been resolved? Well,... (spoilers follow):
The family has been exposed. The First Lady's office (her name is Linten or Linton, I think I heard; Gov. Linten?) may or may not directly take action, as by calling up a prosecutor; but does anyone doubt that media scrutiny is soon to follow? Harry Dean Stanton's Prophet Roman has suffered the greatest blow, even beyond the incursion of the Hendricksons onto his beloved Board: his son has been poisoned and may suffer kidney failure or die, and now we know who committed an earlier poisoning in the season. If Roman survives this adversity, and I can without hestitation assume the writers will have him come through determined rather than cowed, then he will go from merely implacable, amoral, and possessed of a God complex to... something worse.
Even before Roman had the power he has now drawn to himself, through economic and social and legal manipulation, he was a schemer. In fact, the show has hinted he is a murderer, possibly killing Bill's father, his only rival for the leadership of the Compound group, in order to take the throne. He ordered thugs to harass Bill and Bill's business and Bill's family. He engaged in a non-legal campaign of intimidation and persuasion to coerce Bill into paying more than he believed he owed under the terms of their loan agreement. [Incidentally, the show has done a very good job with contracts and contractual law. From the entire business with wills, which of course have a family law overlay, to the bit about loans and mortgages, to the parts involving the shares and thus spot on the Board, Big Love has done much better than some brainless sitcom which wouldn't understand anything beyond personal trust and maybe an IOU. See
my comment to this Conglomerate post.] He has excommunicated those who crossed him, confiscated property, used his power to remove or grant wives as punishment or reward for his disloyal or loyal supporters. He was terrifying enough when his threats were distant, making pronouncements that Bill's "temple" would be drawn down upon him. I expect him to get far more violent than before, although possibly less able to carry out his attacks.
Joey has stood up as a man, publicly identified himself with his brother, and put his wife and new child even more at risk. Bill has taken a major hit to his standing, first by passing up a spot on the business leadership fraternity/group, and now by publicly (as opposed to privately) breaking with Roman. [One of my favorite parts in the episode is how Bill's most powerful weapon has become the meeting minutes and computer files pertaining to the Board meetings. All the dirty laundry was neatly taken down, organized, and filed.]
And the family's just lost its cover. Barb's insistence on going through with the Mother of the Year nomination has put her family at immediate risk of exposure, persecution, or even prosecution and break-up. Nicki, who warned her against such a move, got to be beautiful three ways: by finally wearing her hair down _and_ putting on a flattering, rather than plain, dress; by being ready to support Barb at the MotY event despite her misgivings; and by forgiving Barb rather than holding it over her head with I-Told-You-So's when it all goes wrong. Wife #3, played by Ginnifer Goodwin, was more marginal in this episode; her break with the nosey neighbor in a recent episode precipitated her deeper recommitment to the family, and her re-baptism by Bill, an even which was heavily featured in the trailers for the season before it began.
Hopefully this episode will help cement people's impression of this show as
about something more than just homosexuality, thinly veiled.
I also expect
my prediction in this Volokh Conspiracy thread to be born out.
*Not all comments welcome. Flippant, facetious, fierce, or fatuous, fine. Fraudulent, felonious, fabricated, facially insufficient, and farkin' futile, fuggeddaboutit.